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Friday, December 25, 2015

Christmas Meditation from Faith and Art


click to visit the Faith and Art web site

This video from the Faith and Art web site is provided as a meditation for Christmas Day.

John Singleton Copley’s The Nativity offers a glimpse of the Holy Family through the lens of American colonial portrait painting. Copley was famous for capturing the idealized character of his subjects, often through attention to specific details, textures, and props. In this image, Mary, Joseph, and the infant Jesus are surrounded by shepherds and some animals, all coming to pay homage to the newborn child.

click on the above link to read the rest of this meditation or visit the Faith and Art website.  

On The Morning of Christ's Nativity. Compos'd 1629

On the morning of Christ's Nativity. Compos'd 1629.
I.
THis is the Month, and this the happy morn
Wherin the Son of Heav'ns eternal King,
Of wedded Maid, and Virgin Mother born,
Our great redemption from above did bring;
For so the holy sages once did sing.
 That he our deadly forfeit should release,
And with his Father work us a perpetual peace.
II.
That glorious Form, that Light unsufferable,
And that far-beaming blaze of Majesty,
Wherwith he wont at Heav'ns high Councel-Table,
To fit the midst of Trinal Unity,
He laid aside; and here with us to be,
 Forsook the Courts of everlasting Day,
And chose with us a darksom House of mortal Clay.
III.
Say Heav'nly Muse, shall not thy sacred vein
Afford a present to the Infant God?
Hast thou no verse, no hymn, or solemn strain,
To welcom him to this his new abode,
Now while the Heav'n, by the Suns team untrod,
 Hath took no print of the approaching light,
And all the spangled host keep watch in squadrons bright?
IV.
See how from far upon the Eastern rode
The star-led Wizards haste with odours sweet:
O run, prevent them with thy humble ode,
And lay it lowly at his blessed feet;
Have thou the honour first thy Lord to greet,
 And join thy voice unto the Angel Quire,
From out his secret Altar touch'd with hallow'd fire.

The Hymn.
I.
IT was the Winter wilde,
While the Heav'n-born childe,
 All meanly wrapt in the rude manger lies;
Nature in aw to him
Had doff'd her gaudy trim,
 With her great Master so to sympathize:
It was no season then for her
To wanton with the Sun, her lusty Paramour.
II.
Onely with speeches fair
She woo's the gentle Air
 To hide her guilty front with innocent Snow,
And on her naked shame,
Pollute with sinful blame,
 The saintly veil of maiden white to throw,
Confounded, that her Maker's eyes
Should look so near upon her foul deformities.
III.
But he, her fears to cease,
Sent down the meek-ey'd Peace:
 She crown'd with olive green, came softly sliding
Down through the turning sphere
His ready Harbinger,
 With Turtle wing the amorous clouds dividing,
And waving wide her myrtle wand,
She strikes a universal peace through Sea and Land.
IV.
No War or Battleils sound
Was heard the World around:
 The idle spear and shield were high up hung;
The hooked Chariot stood
Unstain'd with hostile blood,
 The Trumpet spake not to the armed throng,
And Kings sate still with awful eye,
As if they surely knew their sovran Lord was by.
V.
But peaceful was the night
Wherein the Prince of light
 His reign of peace upon the earth began:
The Windes with wonder whist,
Smoothly the waters kist,
 Whispering new joys to the mild Ocean,
Who now hath quite forgot to rave,
While birds of Calm sit brooding on the charmed wave.
VI.
The Stars with deep amaze
Stand fixt in steadfast gaze,
 Bending one way their precious influence,
And will not take their flight,
For all the morning light,
 Or Lucifer that often warn'd them thence;
But in their glimmering Orbs did glow,
Until their Lord himself bespake, and bid them go.
VII.
And though the shady gloom
Had given day her room,
 The Sun himself withheld his wonted speed,
And hid his head for shame,
As his inferior flame,
 The new-enlighten'd world no more should need,
He saw a greater Sun appear
Than his bright Throne, or burning Axletree could bear.
VIII.
The Shepherds on the Lawn,
Or ere the point of dawn,
 Sate simply chatting in a rustic row;
Full little thought they than,
That the mighty Pan
 Was kindly come to live with them below:
Perhaps their loves, or els their sheep,
Was all that did their silly thoughts so busy keep.
IX.
When such music sweet
Their hearts and ears did greet,
 As never was by mortal finger strook,
Divinely warbled voice
Answering the stringed noise,
 As all their souls in blissful rapture took:
The air such pleasure loth to lose,
With thousand echoes still prolongs each heav'nly close.
X.
Nature, that heard such sound
Beneath the hollow round
 Of Cynthia's seat, the Airy region thrilling,
Now was almost won
To think her part was don,
 And that her reign had here its last fulfilling;
She knew such harmony alone
Could hold all Heav'n and Earth in happier union.
XI.
At last surrounds their sight
A Globe of circular light,
 That with long beams the shame-fac't Night array'd;
The helmed Cherubim
And sworded Seraphim,
 Are seen in glittering ranks with wings displaid,
Harping in loud and solemn quire,
With unexpressive notes to Heav'n's new-born Heir.
XII.
Such Music (as 'tis said)
Before was never made,
 But when of old the sons of morning sung,
While the Creator Great
His constellations set,
 And the well-balanc't world on hinges hung,
And cast the dark foundations deep,
And bid the weltring waves their oozy channel keep.
XIII.
Ring out ye Crystal spheres,
Once bless our human ears,
 (If ye have power to touch our senses so)
And let your silver chime
Move in melodious time,
 And let the Base of Heav'n's deep Organ blow;
And with your ninefold harmony
Make up full consort to th'Angelic symphony.
XIV.
For if such holy Song
Enwrap our fancy long,
 Time will run back, and fetch the age of gold,
And speckl'd vanity
Will sicken soon and die,
 And leprous sin will melt from earthly mould,
And Hell itself will pass away,
And leave her dolorous mansions to the peering day.
XV.
Yea, Truth and Justice then
Will down return to men,
 Th' enameld Arras of the Rainbow wearing,
And Mercy set between,
Thron'd in Celestiall sheen,
 With radiant feet the tissued clouds down stearing,
And Heav'n as at som festivall,
Will open wide the Gates of her high Palace Hall.
XVI.
But wisest Fate sayes no,
This must not yet be so,
 The Babe lies yet in smiling Infancy,
That on the bitter cross
Must redeem our loss;
 So both himself and us to glorifie:
Yet first to those ychain'd in sleep,
The wakefull trump of doom must thunder through the deep,
XVII.
With such a horrid clang
As on mount Sinai rang
 While the red fire, and smouldring clouds out brake:
The aged Earth agast
With terrour of that blast,
 Shall from the surface to the center shake;
When at the worlds last session,
The dreadfull Judge in middle Air shall spread his throne.
XVIII.
And then at last our bliss
Full and perfect is,
 But now begins; for from this happy day
Th' old Dragon under ground,
In straiter limits bound,
 Not half so far casts his usurped sway,
And wrath to see his Kingdom fail,
Swindges the scaly Horrour of his foulded tail.
XIX.
The Oracles are dumm,
No voice or hideous humm
 Runs through the arched roof in words deceiving.
Apollo from his shrine
Can no more divine,
 With hollow shreik the steep of Delphos leaving.
No nightly trance, or breathed spell,
Inspire's the pale-ey'd Priest from the prophetic cell.
XX.
The lonely mountains o're,
And the resounding shore,
 A voice of weeping heard, and loud lament;
From haunted spring and dale
Edg'd with poplar pale,
 The parting Genius is with sighing sent,
With flowre-inwov'n tresses torn
The Nimphs in twilight shade of tangled thickets mourn.
XXI.
In consecrated Earth,
And on the holy Hearth,
 The Lars, and Lemures moan with midnight plaint,
In Urns, and Altars round,
A drear, and dying sound
 Affrights the Flamins at their service quaint;
And the chill Marble seems to sweat,
While each peculiar power forgoes his wonted seat.
XXII.
Peor, and Baalim,
Forsake their Temples dim,
 With that twise-batter'd god of Palestine,
And mooned Ashtaroth,
Heav'ns Queen and Mother both,
 Now sits not girt with Tapers holy shine,
The Libyc Hammon shrinks his horn,
In vain the Tyrian Maids their wounded Thamuz mourn.
XXIII.
And sullen Moloch fled,
Hath left in shadows dred,
 His burning Idol all of blackest hue,
In vain with Cymbals ring,
They call the grisly king,
 In dismall dance about the furnace blue,
The brutish gods of Nile as fast,
Isis and Orus, and the Dog Anubis hast.
XXIV.
Nor is Osiris seen
In Memphian Grove, or Green,
 Trampling the unshowr'd Grasse with lowings loud:
Nor can he be at rest
Within his sacred chest,
 Naught but profoundest Hell can be his shroud,
In vain with Timbrel'd Anthems dark
The sable-stoled Sorcerers bear his worshipt Ark.
XXV.
He feels from Juda's land
The dredded Infants hand,
 The rayes of Bethlehem blind his dusky eyn;
Nor all the gods beside,
Longer dare abide,
 Nor Typhon huge ending in snaky twine:
Our Babe, to shew his Godhead true,
Can in his swadling bands controul the damned crew.
XXVI.
So when the Sun in bed,
Curtain'd with cloudy red,
 Pillows his chin upon an Orient wave.
The flocking shadows pale
Troop to th' infernall jail,
 Each fetter'd Ghost slips to his severall grave,
And the yellow-skirted Fayes,
Fly after the Night-steeds, leaving their Moon-lov'd maze.
XXVII.
But see the Virgin blest,
Hath laid her Babe to rest.
 Time is our tedious Song should here have ending,
Heav'ns youngest-teemed Star
Hath fixt her polisht Car,
 Her sleeping Lord with Handmaid Lamp attending.
And all about the Courtly Stable,
Bright-harnest Angels sit in order serviceable.


Thursday, December 24, 2015

Christmas Sermon 2015

courtesy of Jean and Alexander Heard Divinity Library at Vanderbilt


click to listen to Christmas sermon 2015

This Christmas Sermon comes from the text of Luke 1:39-55.  The scene that is set follows the angelic announcement to Mary, when she goes with great urgency to find her relative Elizabeth.  While the previous passages focused on great times of upheaval, St. Luke focuses our attention on a small, personal, and intimate scene.  The greeting of Elizabeth and Mary and the song (Magnificat) of Mary sung in joyful anticipation of the birth of her son, Jesus who would be the Savior of the world. This text, like much in the Gospel of Luke focuses our attention on what we might consider to be a small and trivial detail, or people that we might otherwise pass by.  Not the powerful and mighty but the humble and meek.  Ultimately, it is the form of a defenseless and vulnerable child that God comes to us as the word made flesh.

click to listen to service of worship

Christmas Eve Service of Carols and Lessons at First Presbyterian Church Umatilla Florida



Christmas Eve Candlelight Service at First Presbyterian Church of Umatilla Florida.

click on this link to listen to Christmas Eve Carols and Lessons from FPCU

Featuring the FPCU choir under the direction of Wes Locke and pianist Peggy Willis,
instrumentals: Megan Toman, keyboard and piano, Daisy Millett, harmonica, Brittany O'Berry, flute.

click to view Bulletin for Christmas Eve Service of Carols and Lessons

Friday, December 18, 2015

Advent Oratorio by N.T. Wright and Paul Spicer


N.T.Wright has written an Advent Oratorio put to music by Paul Spicer.  Paul Spicer is the conductor of the Birmingham Bach Choir in St. Paul's Church which produces beautiful sacred choral music.  The Oratorio is a beautiful tribute to Advent, Wright has previously written an Oratorio to Easter as well.  It is worth reading the full text which I have included in the link below.  There are several frequently quoted stanzas, one that comes up time and again is #5 Prophets and Chorus.  "Come, Lord and cleanse us from our sin, your new, glad work in us begin, remove our idols from our sight; let us in you alone delight.  Implant your Spirit in our heart, that with your Breath, new life may start, take from our flesh the heart of stone, let us rejoice in you alone. For your own sake you love display that we may worship and obey, rebuild the wild and desert place; let us acclaim your sovereign grace."  Those words are indicative of the spirit of this oratorio.  However, I have chose this section from section #13 below to highlight which longs for the coming Kingdom of God.  The Easter Oratorio is currently unavailable at on-line Amazon, nor have I been successful at finding the CD of the Advent Oratorio, and I for one, would love to hear the music set to these amazing words.  For now, I am grateful that the words are available.  I recommend reading these as a spiritual exercise during this Advent season.  


Thy kingdom come! On bended knee 
The passing ages pray;
And faithful souls have yearned to see 
On earth that kingdom's day.

But the slow watches of the night 

Not less to God belong;
And for the everlasting right
The silent stars are strong.


And lo! Already on the hills
The flags of dawn appear;
Gird up your loins, 

ye prophet souls, 
Proclaim the day is near.

The day in whose clear, shining light
All wrong shall stand revealed;
When justice shall be throned with might 

And every hurt be healed.

When knowledge, hand in hand with peace 

Shall walk the earth abroad;
The day of perfect righteousness
The promised day of God 


Paul Spicer Advent Oratorio Site

Advent Oratorio by NT Wright

N T Wright Easter Oratorio

Tuesday, December 15, 2015

Fourth Sunday in Advent: Devotional Resource

Year C: Fourth Sunday of Advent:  Luke 1



Advent is a time of preparation as Christians await the coming of Christ.  The liturgical color used in churches is either purple or blue.  Blue is a color that represents the sky, welcoming Christ as King, the waters in Genesis, and the new creation.  Purple is a color of royalty, welcoming Christ as King in to our world, it evokes the passion and suffering of Christ.  Pink (rose) is often used on the third Sunday in Advent, a symbol of joy and happiness, and white or gold is used for Christmas celebrating the birth of Jesus. 

As we turn our thoughts to the lectionary readings that recall the advent themes of God's coming, judgement, promises of hope and renewal, we await the coming of light into the darkness of our world.  We stand expectant as we prepare our hearts to receive the most remarkable divine work of grace.  These devotional videos are meditations and reflections on several works of art that draws spiritual insight for Advent.  It invites us to await the coming of the Light of Christ during this time of preparation.  

click on the link below to access the Advent Arts and Faith web site
(you are leaving this blog to a third party site)

Faith and Arts

Sunday, December 13, 2015

Third Sunday in Advent: Devotional Resource

Year C: Third Sunday in Advent 



Advent is a time of waiting as we prepare our hearts to await the coming of Christ. Often the liturgical color that is used is either purple or blue.  Blue is a color that represents the sky, welcoming Christ as King, the waters in Genesis, and the new creation.  Purple is a color of royalty, welcoming Christ as King in to our world, it evokes the passion and suffering of Christ.  Pink (Rose) is often used on the third Sunday in Advent, a symbol of joy and happiness, and white or gold is used for Christmas celebrating the birth of Jesus. 

As we turn our thoughts to the lectionary readings that recall the advent themes of God's coming, judgement, promises of hope and renewal, we await the coming of light into the darkness of our world.  We stand amazed as we prepare our hearts to receive the most remarkable divine work of grace.  These devotional videos are meditations and reflections on several works of art that draws spiritual insight for Advent.  It invites us to await the coming of the Light of Christ during this time of preparation.

Arts and Faith in Advent

Sunday, December 6, 2015

Second Sunday in Advent: Devotional Resources

Year C Third Sunday in Advent


Advent is a time of waiting as we prepare our hearts to await the coming of Christ. Often the liturgical color that is used is either purple or blue.  Blue is a color that represents the sky, welcoming Christ as King, the waters in Genesis, and the new creation.  Purple is a color of royalty, welcoming Christ as King in to our world, it evokes the passion and suffering of Christ.  Pink (Rose) is often used on the third Sunday in Advent, a symbol of joy and happiness, and white or gold is used for Christmas celebrating the birth of Jesus. 

As we turn our thoughts to the lectionary readings that recall the advent themes of God's coming, judgement, promises of hope and renewal, we await the coming of light into the darkness of our world.  We stand amazed as we prepare our hearts to receive the most remarkable divine work of grace.  These devotional videos are meditations and reflections on several works of art that draws spiritual insight for Advent.  It invites us to await the coming of the Light of Christ during this time of preparation.

The full web video series can be found at the link below at Loyal Press.

Faith and Arts in Advent

Tuesday, December 1, 2015

First Sunday in Advent: Devotional Resource

Year C: First Sunday in Advent: Luke 21 


Advent is a time of waiting as we prepare our hearts to await the coming of Christ.  The liturgical color that is used is either purple or blue.  Blue is a color that represents the sky, welcoming Christ as King, the waters in Genesis, and the new creation.  Purple is a color of royalty, welcoming Christ as King in to our world, it evokes the passion and suffering of Christ.  Pink (Rose) is often used on the third Sunday in Advent, a symbol of joy and happiness, and white or gold is used for Christmas celebrating the birth of Jesus. 

As we turn our thoughts to the lectionary readings that recall the advent theme's of God's coming, judgement, Promises of hope and renewal, we await the coming of light into the darkness of our world.  We stand amazed as we prepare our hearts to receive the most remarkable divine work of grace.  These devotional videos are meditations and reflections on several works of art that draws spiritual insight for Advent.  It invites us to await the coming of the Light of Christ during this time of preparation.


The full web video series can be found at the link below at Loyal Press.  

Faith and Arts in Advent